Artistic card
Creation: Marta Carrasco
Direction’s colab.: Fernando Bernués
Texts by: Dostoyevski y E. Cioran
Cast: Marta Carrasco, Fuensanta Morales, Ricardo Moya, Xavi Sáez
A production by:
Pep Bou Produccions
Festival Internacional de Teatre
Temporada Alta 2003
Festival de Otoó de Madrid.
El País Public Award for “Best Dance Show” (2003)
Press
Structured madness
Without blinking and raised in his armchair was the audience before Eternal? Això yes no! the overflowing and imaginative spectacle of the dancer and choreographer Marta Carrasco. Marta Carrasco is a beautiful and intelligent woman, two qualities that become bait of her montages. Obsessive and magnificently developed and performed mounts that swim between the sinuous waters that separate theater and dance. Eternal? Yes, I do not! is a piece of great aesthetic beauty and a great plot density. Their recreation, in the face of the impossibility of the human being to reach eternity, is inserted in a key of humor, but
Marta Carrasco is a beautiful and intelligent woman, two qualities that become bait of her montages. Obsessive and magnificently developed and performed mounts that swim between the sinuous waters that separate theater and dance. Eternal? Yes, I do not! is a piece of great aesthetic beauty and a great plot density. Their recreation, in the face of the impossibility of the human being to reach eternity, is inserted in a key of humor, but later, like the previous montage, the memories of childhood, motherhood and solitude.
Before the assembly of the Carrasco, madness mathematically structured, one must be left to abandon.
Sadly delighted
Marta Carrasco begins her residency at the National Theater of Catalonia with a show that seems to have touched the expressive possibilities of her imagination. We say it seems since we believe it impossible to go any further, to be more credible, to recreate the inner tear more or the inability to tolerate the crudeness of life, than what these five characters give us.
Marta Carrasco’s company cannot be asked for more; the merit of the direction is undeniable: the changes of emotional registers, so and so fast, so true, are an insuperable sentimental lesson and for that very reason, we left the National sadly delighted.
The children’s altarpieces of Carrasco
To the spectacles of Marta Carrasco every time the definitions feel worse to him. The choreographer works with an image that encompasses both the dreamlike and the biomechanical and plays with all the elements that can be used on stage.
Eterno? Això si